To paint a portrait is to translate a living presence into planes of color and light. Over three focused days, you'll learn the academravel — sorry, let me restate cleanly: you'll learn the academic approach to capturing a likeness, working directly from a live model and exclusively with the Zorn Palette, a historically restricted set of oil colors that trains the eye to master value and temperature relationships rather than reaching for an endless array of tubes. The method is clear and cumulative: from the first structural block-in, through the initial layer of paint, to the subtle work of developing a focal point. Far from a limitation, the Zorn Palette is the condition under which a real understanding of color becomes possible.